Showing posts with label Fashion. Show all posts
Showing posts with label Fashion. Show all posts

Monday, February 23, 2009

New York Collections: Project Runway #1


I'm not even going to bother. This collection was awful. Poorly made, terrible styling, with every piece smacking of H&M by way of an Olivia Newton-John music video. Mystery designer, I'm sure you're better than this! Unless you aren't. Oh, how I hate not knowing these people! 

See the rest here.

Sunday, February 22, 2009

New York Collections: Project Runway #2

This collection probably had the most ease and the most fun, but it teetered the lines of "unsophisticated" and "derivative" quite often. What was interesting, though, was how frequently it took inspiration from past Project Runway designers. The styling was atrocious, to boot. 



It's all right. Kara Janx meets Rami Kashou. Not crazy about the hip-widening skirt drapes, or the ill-fitting bodice, but the colors and fabrics are nice.



This was probably my favorite in the collection, but it's an old, old look, and this doesn't bring anything new to the table. I hate how the fabrics play off each other. And that hair! Nevertheless, it's whimsical and slightly wearable, which is more than can be said for the rest of this collection. 



I go back and forth on this one. I don't like the color, only because it isn't fresh, but I'm undecided about the braiding. It has that fairy-tale sort of look the collection's going for, but it falls flat as the only interesting aspect of the outfit. 



I liked this, and the pictures don't do it justice. The different layers looked effortless and soft. The silhouette reminds me very much of Sweet P, however, and the top of the bodice has a horrible, horrible shape.



Is this Project Runway Canada? Is Marie Genevieve pulling a Daniel Franco and coming back for a second try?



Feh, it's ok. The hem is heavy and distracting, but the fabric has a pretty quality and..well...the detail is...it's something. 



I loved seeing this come down the runway, because I am always tickled when I see someone trying to move normally in something like that. Yes, it smacks of Kenley Collins and, while I liked her version better, this one is more tailored and, therefore, somewhat interesting. The top is poorly made and boring, though.



Ugh. That fabric is some weird faux-crocodile-vaguely-ostrich-silk that just looks cheap and miserable. And those shoes are stupid.



Rami Kashou! It even has his horrible sense of color, how adorable. 



Sort of looks like an old Chloe Dao bridesmaid dress, huh? The top doesn't fit, though, so I guess that's where the comparisons to the second-winner stop. At least she could sew something correctly, even if it was a terrible gold lame cocktail dress. 



I hate the outfit underneath, but something draws me to the cape. Not the color or the fabric, both of which are terrible and bland all at once, but it was kind of cute. 



Well, it pains me to say I liked this. It moved well on the runway, and I loved the color-shifting quality the fabric had. But, oy, look underneath! All that puckering!



Overworked, Kashouesque, but something saves it. Maybe the bland colors make it not-so-overwhelming. There's a lot of workmanship in it, so at least he/she tried. 

Well, it was a little too sweet, a little too fairy tale, and a lot too derivative for my taste, but it looks fun and there's actually color in it. I predict second place because, the first collection was just downright horrible. This at least had a few redeeming qualities.

Saturday, February 21, 2009

New York Collections: Project Runway #3

Honestly, there's no question that this collection was the best out of the three. It was sophisticated, well-made, and had a great dystopian, futuristic theme that kept me interested the entire time. It wasn't the most original perspective, but measured along with the other collections, it was the most unique. The lack of color was a bit disappointing, but there's no denying that playing it safe with all black makes it very tasteful when it easily could've been ruined with garish colors or lame, as is often the case with futuristic lines. The styling was severe and striking, which played off the clothes really well. 


When this came out, I jumped out of my seat. It's not necessarily the greatest look, but compared with the other collections, I knew immediately the tone of the show when this came out, and I also knew it was going to be interesting. And, isn't that what the opening look is supposed to do? Very successful. 



Great coat, even greater from the back; very wearable, but also interesting. And fabulous accessories, even if that purse looks a little too precious compared to the rest of the look.



I liked this top, especially the neckline, but not with the ill-fitting leggings and leather opera-length gloves. The lattice work, though, was impeccable and striking. 



I'm not a fan of the extended sleeves, or the drop waist on a coat that length, but the knits were a highlight in this collection. The collar could've been a little bit smaller, though. Actually, everything could have been a bit smaller. 



Urban, chic, with a vaguely Inuit undertone, which I found fantastic. I love the buckle and the graphic t-shirt, but she has a bit of a spare-tire from all the bulk. 



Still rocking the "Eskimo of the Future" look, and kudos. It's great and wearable. I just hope that fur is faux. 



The asymmetry on this looks like a mistake in the picture, but on the runway it created a very dynamic shape from the side. I'm not super-crazy about the leather bodice or the sort of imbalance with the skirt since it looks a little bottom-heavy, but it's cool and almost gets the point. 



I still like collars to, you know, be collars and not huge caplets but the jacket is pretty nice. However, for me, the best part of this look is  the t-shirt. I would buy that in a heartbeat.



Classic and simple, which is exactly what this collection had been lacking thus far. It's still a little bulky, though.



The shirt, again, is fabulous. Very Stephen Sprouse-y and uber-urban-chic. The sweater's ok, but the tights...annoy me. The whole layering lattice motif ran the risk throughout the whole collection of making it looked overworked, and this is one instance where it's noticeable. 



This, however, I loved, despite all the aspects competing with one another. Very detailed and interesting, and, combined with the overall styling, made a great look. Very editorial. I wish the sweater-y thing was a bit more refined and focused, but still it's striking.  



Hate the gloves with that tank dress and, ultimately, this was not a very memorable piece. I felt that I had already seen this.



It's kind of gorgeous, but to me, this looks like student work. It just seems like something a senior in a fashion design program slaves over for months, trying to whip out every technique he's good at into one overworked dress to get the attention of his professors. The layering gets really sloppy in the midsection and the top, and the one strap looks like an afterthought. The bottom, however, is breathtaking, and I guess the dress does a pretty good job of anchoring the collection.

Ultimately, it was a good collection that balanced "wearable" with "editorial", was (for the most part) well-executed and had the most distinct point of view out of all of the others. And that equals "winner" in Project Runway land. 

Friday, October 3, 2008

Paris Collections: Viktor & Rolf

Viktor & Rolf Spring 2009 Ready-to-Wear

Ah-mazing.


It's so sad they only had 21 pieces (!), but, alas, it's understandable. Living in the electronic age isn't as easy as it seems to be, but V&R have a fabulous take on our cyber-society. Inspired by pixels, this futuristic collection tests the waters of fashion and structure, as is always with the dynamic duo. 

Tuesday, September 30, 2008

Paris Collections: Vivienne Westwood Gold Label

Vivienne Westwood Spring 2009 Ready-to-Wear

Fabulous.


A huge improvement over her Fall 2008 collection (although not quite as theatrical, unfortunately) Viv's Spring Gold Label collection doesn't cease to amaze and inspire. The soft, downy folds of  duchess satin, the shoulder-obliterating silhouettes, the rumpled folds, the S&M straps all accumulate into an awe-inducing collection that hearkens back to Viv's signature styles and beginnings while still being fresh and new. And, while not perfect on the cohesion front, Vivienne makes her statement quite well. She's certainly incorporating some questionable fabrics, though, including a beach umbrella one, but she's a rebel. 

Friday, September 19, 2008

London Collections: Vivienne Westwood Red Label

Vivienne Westwood Red Label Spring 2009 Ready-to-Wear

You know my loyal reader(s?), I thought I would go ahead and blog about the collections, but New York Fashion week was, as always, kind of dull. Nothing really stood out, so why bother writing? Check out Diane Von Furstenburg's hippie clothes and Marc Jacobs's multinational, mutlilayered looks. Done. I'll talk more about Paris Fashion Week (namely Dame Westwood and maybe a few others) and the couture shows (namely Galliano, Gaultier, Lagerfeld and LaCroix).

Let's talk of Viv's Red Label, though, shall we?


Honestly? I agree with them; nice, but nothing particularly new or surprising. Pure Westwood. Pure current Westwood, anyway. Hopefully she's pulling out the big guns for her Gold Label, which is usually how it goes. I happen to like the uber-structured looks rather than the crumpled ones. 

And the metallics are tacky, no question about that.